Synchronicity

Key: Gbm

(intro)

|Gbm7--- ---|Gbm7--- ---|Gbm7--- ---|Gbm7--- ---|

|DM7--- ---|DM7--- ---|Gbm7--- ---|Gbm7--- ---|

|DM7--- ---|DM7--- --For a |

|Gbm7 time --I |Gbm7 lived my lonli |DM7-ness ---|DM7--- --Couldn't |

|Gbm7 see --why |Gbm7 they would mean more or |DM7 less ---|DM7--- --Only |

|Bm7 time --my|AM7-self --and |Abm7-5me ---|Db7(-9 -13) I guess it was mean to |

|Gbm7 be --- |Gbm7--- ---|DM7--- ---|DM7--- --For a |

Gbm7while --your |Gbm7shadow make me |DM7cold ---|DM7--- --I Couldn't |

|Gbm7 here --the |Gbm7 stories you never |DM7 told ---|DM7--- --never |

|Bm7 thought --you'd |AM7+5 un Dbsus4/A-der |Bm7/Ab -stand --cause|Db7 you never hold my |

|DM9 hand ---|DM9--- --And Then a|

　

Key: Gb

|Ebm7 gain --the |Abm7 more I'm by your |Db/F side --There's|GbM7 less and Gb/Bb less to |

|BM7 hide --Finally |Bbm7 Barely a Ebm7 trace of |EM7 fear within |B/Db me-- Db7--And your |

|Ebm7 Smile --as |Abm7 softly as the |Db/F night --- |GbM7 Makes me Gb/Bb think of |

|BM7 my -stick a |Bbm7 round Ebm7 to see |EM7 what may yet come to |B/Db be-- Db7--Is it |

Key: Gbm

|Gbsus4/D synchro | Gbsus4/E-nici|GbM9 -ty --- | GbM9 --- -Is it |

|Gbsus4/D synchro | Gbsus4/E-nici|GbM9 -ty --- | GbM9 --- -In bet |

|Gbsus4/D -ween --the | Gbsus4/Eyou --and |GbM9 me --Are we | GbM9 opposite finding a |

|Gbsus4/D new --way to | Esus4 be--- ---｜N.C.--- --- | (Drum fill) --- --In the |

|Gbm7day --I'd |Gbm7run both for and |DM7wide ---|DM7--- --Out of |

|Gbm7 place --no |Gbm7 matter how hard I |DM7 tried ---|DM7--- --and the |

|Bm7 lies --are |AM7+5 made Dbsus4/A-for |Bm7/Ab me-- --The Db7 way it's supposed |

|DM9 to be ---|DM9--- --And Then a|

Key: Gb

|Ebm7 gain --the |Abm7 more I'm by your |Db/F side --There's|GbM7 less and Gb/Bb less to |

|BM7 hide --Finally |Bbm7 Barely a Ebm7 trace of |EM7 fear within |B/Db me-- Db7--Is it |

|Gbsus4/D synchro | Gbsus4/E-nici|GbM9 -ty GbM9 -Are we | GbM9 opposite finding a |

|Gbsus4/D new --way to | Esus4 be --- ---| --- --- |

(interllude)(piano solo)

Key: Gm

|Gm9--- ---|Gm9--- ---|EbM7(9,11)--- ---|EbM7(9,11)--- ---|

|F/G--- ---|F/G--- ---|EbM7/G--- ---|Gm9--- G7(-9,-13)---|

|Cm9--- ---|BbM7+5--- Gm/Bb---|Am7-5(11)--- ---|D7(-9,-13)--- ---|EbM9--- ---|--- ---|

Key: Gbm

|Gbm9--- ---|Gbm9--- ---|Dm9--- ---|Dm9--- ---|

|Gbm9--- ---|Gbm9--- ---|DM9--- ---|DM9--- ---|

|Bm11--- ---|AM7+5--- Gbm/A---|Abm7-5(11)--- ---|Db7(-9,+11)--- ---|

(guitar solo)

Key: Gm

|Gm9--- ---|Gm9--- ---|EbM7(9,11)--- ---|EbM7(9,11)--- ---|

|Gm9--- ---|Gm9--- ---|EbM7(9,11)--- ---|EbM7--- G7(-9,-13)---|

|Cm9--- ---|BbM7+5--- Gm/Bb---|Am7-5(11)--- ---|D7(-9,-13)--- ---|EbM7--- ---|EbM7--- --Then a |

Key: G

|Em7 gain --the |Am7 more I'm by your |D/Gb side --There's|GM7 less and GM7/B less to |

|CM9 hide --Finally |G/B Barely a Em7 trace of |FM7 fear within |C/D me-- --And your |

|Gsus4/Eb Smile EbM7+5--- |Gsus4/E --- C/E --as |Am softly Am/G as the |D/Gb night Gsus4/E --- |

|Eb7(9,11)--- ---|

|G/D Makes me G/B Think of |CM9 my stick a |G/B -roundEm9 ---| N.C--- to see what |

|FM7 may yet come to |C/Dbe --Is it|

|EbM7 synchro | Fsus4-ni --ci |G7 -ty --- | Gm --- Dm/F-Is it |

|EbM7 synchro | Fsus4-ni --ci |G -ty --- | Gm --- Dm/F-In bet |

|EbM7 ween --the | Fsus4you -and |G me --Are we | Gm opposite Dm/F finding a |

|EbM7 new --way to | F6 be --- | --- --- | --- --- | --- --- ||